Pirri returns to reflect on some of the themes that characterize his artistic production and that give voice, in particular, to the relationship between painting and architecture, spatial installation and sound: the proposed path, therefore, includes environmental, pictorial and sculptural works related to different moments of his career. The floor of mirrors that shatters under the weight and steps of the spectators, duplicating the space and making it infinite, is surmounted by a sculpture in the shape of a lamppost swollen with light and color: the chromatic gradation of the luminous globe spreads in the room recalling the explosion of a childish glass marble and the real noise, the glassy crunch caused by the steps of the spectators on the floor together with the consequent perceptive mutation, are precisely the “motionless engine” of the entire exhibition.

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